Stuff I wouldn’t be looking at if it weren’t for dreams

More hip-hop, only this time a visual interpretation. My last two posts (here and here) explain how I started following a hip-hop thread of associations in waking life because of a dream in which there’s a plate on a table that, when I woke, reminded me of a radio studio turntable.

Granted, I would have looked at Luke Haynes‘s website anyway, because tomorrow (4/28) he’s giving a talk at the American Folk Art Museum, across from Lincoln Center, and I’ll be too busy with other things to get to it. The museum event write-up says Haynes’s “background as an architect deeply informs his quilts” and that he “unites traditional quilt patterns with bold photo-based images.”

Haynes was living in Seattle at the time he wrote his About page, but apparently he lives in Brooklyn now. And he has a show going on at Eli Alexander Gallery, 15 East 27th Street, through May 21, so I’ll try to get to that instead.

But if it weren’t for a dream-inspired intellectual (if not visceral) interest in hip-hop, I wouldn’t have spent any time looking at Haynes’s Jay-Z/Kanye quilt (Jay-Z, born Shawn Carter, is a Brooklynite):

"The Throne," quilt by Luke Haynes
(image from LukeHaynes.com)

Advertisement

Montague Ullman’s influence lingers at publication parties

On what’s probably the last day of vaguely winter weather of 2011–2012’s vaguely winter season, I’m getting back to work here by writing about a holiday party I attended at the other end of the season, in December.  More to the point, about the books I received from the party host, Cosimo.

Cosimo, a specialty publisher in New York City (whose owner is a Dutch expat),  does “publishing on demand” in several categories. In 2006, Cosimo republished Appreciating Dreams,

in connection with a seminal 2005 talk by psychiatrist and psychoanalyst Montague Ullman (1916–2008). The Ullman Method of group dreamwork has widely influenced how people work together to understand their dreams. Appreciating Dreams is the “manual” for the Ullman Method.

Montague Ullman, on his site maintained by Markku Siivola's

Cosimo gave out gift bags at the party, and some of the bags included a just-published book by Finnish psychologist Markku Siivola, a friend and student of Monte Ullman’s. That book is a restatement and introduction of the Ullman Method, titled Understanding Dreams: The Gateway to Dreams Without Dream Interpretation. Markku and I met at one of the weekend-long dream group dream leadership trainings that Monte used to conduct in his home in Ardsley, New York. That weekend afforded a convincing demonstration of the Ullman Method’s ability to be just as insight-inducing and satisfying for group members as for the person whose dream they’re working on: at some point in using the Ullman Method on a dream I’d brought, both Markku and I were deeply affected, each for our own reasons. So I’m particularly looking forward to reading his take on the method.

Spatial experiences in dreams

From the movie Elephants Dream.© copyright 2006, Netherlands Media Art Institute / http://www.elephantsdream.org

In the better late than never department (I’ve been preoccupied away from the blog for a while)…

In the book Black Elk Speaks, the Sioux holy man recounts a dream he had at a young age, in which the Powers of the World—of the West, the North, the East, and the South—appear to him.

New Yorker Susan Tyburczy holds that story dear to her heart. She enjoys standing at the ocean’s edge and imagining what transpires in the vast space beneath the surface. Being a young sleepwalker and sleeptalker were also precursors to her choice of dissertation topic. In earning a Ph.D. in clinical psychology at Saybrook University, she studied the spatial experiences reported by dreamers.

Susan Tyburczy, Ph.D.

Dr. Tyburczy, a Staten Island psychotherapist who’s a member of the International Association for the Study of Dreams, described her research on Sunday, April 3, for IASD’s New York Metro Area group. In the audience were a number of the dreamers from among the 28 she had interviewed for her study. Even the settings of the interviews had had spatial variety—places that ranged from her home to theirs to parks to restaurants (she and I sat in a corner of a diner for hours when I told her my dream). Using the method Susan devised of arranging items to represent the characters, objects, and movement in their dream, one dreamer even laid his out in the trunk of his car.